PV® 14 BT 14 Channel Compact Mixer with Bluetooth

$549.99

The Peavey PV® 14BT is a compact mixer designed for small-venue performances and home recording. It includes eight channels of reference-quality microphone preamps and eight direct outputs for connection to a recording interface. Bluetooth® wireless input, stereo USB-B audio streaming to and from a computer, and onboard MP3 playback via USB-A provide flexible ways to bring music into your mix.

Three-band EQ and Peavey’s Mid-Morph EQ on eight channels provide hands-on tonal control, while EQ bypass lets you compare the equalized signal with the original. Four channels of built-in compression help control signal levels, and 150 Hz high-pass filters on all microphone inputs reduce unwanted low-frequency noise. Channel 8’s switchable 1 MΩ guitar input and selectable Electric Guitar Pre-Shape accommodate electric guitar, while global 48 V phantom power supports microphones that require it.

Onboard digital effects with individual channel sends and an LCD display let you select and adjust effects, while Kosmos-C adds bass and treble enhancement. Individual channel solo and mute controls, a pre-fader aux send, dual selectable control room outputs, and a headphone output support live monitoring and recording. Balanced XLR and 1/4-inch main stereo outputs, signal and clip indicators, and a master LED meter bridge round out the PV 14BT’s mixing and monitoring controls.

SKU: 03614200
  • Eight low-noise microphone preamps with combination XLR and 1/4" inputs.
  • Eight direct outputs for connection to a recording interface.
  • Bluetooth wireless connectivity for audio playback from compatible devices.
  • Stereo USB-B audio streaming to and from a computer.
  • Onboard USB-A MP3 playback with an LCD for selecting and playing tracks.
  • Three-band EQ, with Mid-Morph EQ and EQ bypass on eight microphone channels.
  • Built-in compression on four channels for controlling signal levels.
  • Onboard digital effects with individual channel sends and an LCD display.
  • High-impedance 1 MΩ guitar input with selectable Guitar Shape.
  • Kosmos-C bass and treble enhancement.
  • 150 Hz low-cut switches on all microphone inputs.
  • Global 48 V phantom power.
  • Individual channel solo and mute controls, plus a master microphone mute.
  • One pre-fader aux send and balanced XLR and 1/4" main stereo outputs.
  • Dual selectable control room outputs, independent recording level control, and a headphone output.
  • Signal and clip indicators, a master LED meter bridge, and 60 mm master faders.

$549.99

FAQ

Microphone Preamp EIN −126 dBu at maximum gain with a 150 Ω source.

Microphone Input Minimum impedance 2 kΩ; balanced XLR connection, pin 1 ground, pin 2 (+), pin 3 (−). At maximum gain (59 dB), input levels are −71 dBu minimum, −51 dBu nominal, and −39 dBu maximum. At minimum gain (4 dB), input levels are −17 dBu minimum, +5 dBu nominal, and +16 dBu maximum.

Line Input Minimum impedance 10 kΩ; balanced 1/4" TRS connection, tip (+), ring (−), sleeve ground. At maximum gain (40 dB), input levels are −52 dBu minimum, −32 dBu nominal, and −20 dBu maximum. At minimum gain (−15 dB), input levels are +2 dBu minimum, +23 dBu nominal, and greater than +32 dBu maximum.

Guitar Input Impedance 1 MΩ with Guitar Shape engaged on channel 8, described as like a 12AX7 vacuum tube guitar amplifier input.

3.5 mm / RCA Input Minimum impedance 2.8 kΩ; unbalanced connection. At maximum gain (18 dB), input levels are −43 dBu minimum, −23 dBV nominal, and −10 dBu maximum. At nominal gain, input levels are −24 dBu minimum, −5 dBu nominal, and +8 dBu maximum. The 3.5 mm connection uses tip left, ring right, and sleeve ground; RCA uses tip (+) and sleeve ground.

Main Left/Right Outputs Minimum load impedance 600 Ω; +4 dBu nominal output and +20 dBu maximum output; balanced XLR and 1/4" TRS connections. XLR uses pin 2 (+) and pin 3 (−); TRS uses tip (+), ring (−), and sleeve ground.

Effects and Monitor Sends Minimum load impedance 600 Ω; +4 dBu nominal output and +20 dBu maximum output; balanced 1/4" TRS connection, tip (+), ring (−), sleeve ground.

Control Room Output Minimum load impedance 600 Ω; +4 dBu nominal output and +20 dBu maximum output; unbalanced RCA connection, tip (+), sleeve ground.

Headphone Output Minimum load impedance 8 Ω; +4 dBu nominal output with no load and +20 dBu maximum output; unbalanced 1/4" TRS connection, tip left, ring right, sleeve ground.

Microphone Input Gain Adjustment Range 4 dB to 59 dB.

Microphone Input to Left/Right Output Gain 79 dB maximum gain.

Line Input Gain Adjustment Range −16 dB to 40 dB.

Line Input to Left/Right Output Gain 60 dB maximum gain.

Frequency Response at Maximum Input Gain Microphone input to left/right output, 14 Hz to 25 kHz, +0 dB/−1 dB.

Frequency Response at 12:00 Input Gain Microphone input to left/right output, 9.5 Hz to 29 kHz, +0 dB/−0.8 dB.

Total Harmonic Distortion Less than 0.006% typical, microphone input to left/right output, measured over a 22 Hz to 22 kHz bandwidth.

Master Left/Right Noise with Faders Down −97 dBu residual noise; 101 dB signal-to-noise ratio referenced to +4 dBu; master fader down and channel levels down.

Master Left/Right Noise with Master Fader Nominal −90 dBu residual noise; 94 dB signal-to-noise ratio referenced to +4 dBu; master fader nominal and channel levels down.

Master Left/Right Noise with Channel Faders Nominal −83 dBu residual noise; 87 dB signal-to-noise ratio referenced to +4 dBu; master fader nominal, channel faders nominal, odd channels panned left, and even channels panned right.

Monitor Send Noise with Controls Off −95 dBu residual noise; 99 dB signal-to-noise ratio referenced to +4 dBu; all controls off.

Monitor Send Noise with Sends Nominal −80 dBu residual noise; 84 dB signal-to-noise ratio referenced to +4 dBu; all channel sends nominal and masters nominal.

Hum and Noise Measurement Bandwidth 22 Hz to 22 kHz.

Equivalent Input Noise −128 dBu with the input terminated with 150 Ω, measured over a 20 kHz bandwidth.

Adjacent Input Channel Crosstalk Greater than 90 dB at 1 kHz.

Left-to-Right Output Crosstalk Greater than 70 dB at 1 kHz.

Mute Button Attenuation Greater than 90 dB at 1 kHz.

Channel Fader Kill Greater than 85 dB at 1 kHz.

Microphone Input Common Mode Rejection Ratio 50 dB minimum from 20 Hz to 20 kHz; 70 dB typical at 1 kHz.

Meters 12-segment, peak-reading meters; top green LED represents +4 dBu.

Signal/Overload Indicators Red LED lights 5 dB below clipping.

Dimensions 16.1875" W × 17.3" D × 2.1875" H (41.12 cm W × 43.94 cm D × 5.56 cm H).

Weight 12.12 lb (5.50 kg).

Power Requirements 100–240 VAC, 50/60 Hz, 24 W.

Level Reference 0 dBu = 0.775 V RMS.

Minimum Input Level Definition The smallest signal that produces nominal output (+4 dBu) with channel and master faders set for maximum gain.

Nominal Settings Definition All controls set at 0 dB, or 50% rotation for rotary controls, except the gain adjustment control, which is set as specified.

If you have questions concerning product operation, support or warranty, please Contact Us!

We can also be reached by phone at 877-732-8391 (toll free in the US).

WARNING: This product can expose you to chemicals, including DEHP, which are known to the State of California to cause cancer, birth defects or other reproductive harm. For more information go to www.P65Warnings.ca.gov.

Find Your Perfect Match

Artists